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The classic bestselling war memoir by the most decorated American soldier in World War II, back in print in a trade paperback

Originally published in 1949, To Hell and Back was a smash bestseller for fourteen weeks and later became a major motion picture starring Audie Murphy as himself. More than fifty years later, this classic wartime memoir is just as gripping as it was then.

Desperate to see action but rejected by both the marines and paratroopers because he was too short, Murphy eventually found a home with the infantry. He fought through campaigns in Sicily, Italy, France, and Germany. Although still under twenty-one years old on V-E Day, he was credited with having killed, captured, or wounded 240 Germans. He emerged from the war as America's most decorated soldier, having received twenty-one medals, including our highest military decoration, the Congressional Medal of Honor. To Hell and Back is a powerfully real portrayal of American GI's at war.

• Sales Rank: #111766 in Books
• Brand: Murphy, Audie/ Brokaw, Tom (FRW)
• Published on: 2002-05-02
• Released on: 2002-05-01
• Original language: English
• Number of items: 1
• Dimensions: 8.23" h x .77" w x 5.48" l, .59 pounds
• Binding: Paperback
• 274 pages

From Library Journal
Texan Audie Murphy was the most highly decorated G.I. of World War II, being awarded almost every medal the Army could offer as well as the Congressional Medal of Honor. His memoir of the war is a classic, still retaining some popularity. Tom Parker brings this terse yet vivid and articulate memoir to life. Able to give each of Murphy's comrades credible accents and characterizations, Parker's clear and well-paced reading is a joy. For popular and military collections.AMichael T. Fein, Catawba Valley Community Coll., Hickory, NC
Copyright 1998 Reed Business Information, Inc.

About the Author

Audie Murphy was the most decorated American soldier during World War II. He went on to a long film career, starring in The Red Badge of Courage, The Quiet American, and his own To Hell and Back. He was killed in a plane crash in 1971 at age forty-six.

From AudioFile
Audie Murphy hit the big time with this simple, compelling narrative of his time as an infantryman in WW II Europe. It is a book of raw honesty, clipped descriptions and simple courage. Later Murphy portrayed himself in the successful film and acted in several others before a plane crash ended his life at age 46. Tom Parker, a popular narrator of audiobooks, reminds one of National Public Radio newscasters. He is quietly descriptive, and the listener can't help being moved. D.W. (c)AudioFile, Portland, Maine

Most helpful customer reviews

154 of 159 people found the following review helpful.
Honest and humble memoir
By Eric C. Welch
It was interesting to read this account of Audie Murphy's travails in World War II (Murphy was one of the most highly decorated soldiers of that war) having read Ambrose's eulogy Band of Brothers .
Murphy received (every major medal, some more than once, that the army has to offer). He joined the army at age 17 to support six siblings after his mother died (his father had left the family earlier), and he doesn't talk about how the war haunted the rest of his life.
He portrays a brutal, harsh struggle to survive, where the only thing that matters is keeping oneself and one's friends alive. There are moments of great poignancy, others of humor. Once, hungry, dirty and wet, mired in their foxholes, they notice they are under a tree with ripe cherries. Not daring to stick a head up, let alone climb out of the foxhole, Murphy's buddy gets the idea of shooting down the branches with his machine gun, and soon they are delighted to have cherry branches falling on them, making the day just a little brighter.
Not once does Murphy mention his numerous awards, Clearly, Murphy believed that luck played as much a part in his survival as anything he did. He was however, the kind of person who tried to control his destiny, doing what was necessary and taking the initiative in order to get through the day. A little piece of Murphy died every time a friend was killed, and soon almost all of his friends were gone. He was delighted if they received a wound that would return them to the rear, away from battle. He sympathized and worried for the lieutenant who had been badly injured and returned voluntarily to the front only to lose his nerve under the intense shelling. It must have been horribly traumatic to develop such close bonds and to have them ripped apart.
At the risk of sounding a little chauvinistic, I quote from the last lines of his book:
" When I was a child, I was told that men were branded by war. Has the brand been put on me? Have the years of blood and ruin stripped me of all decency? Of all belief? Not of all belief. I believe in the force of a hand grenade, the power of artillery, the accuracy of a Garand. I believe in hitting before you get hit, and that dead men do not look noble.
"But I also believe in men like Brandon and Novak and Swope and Kerrigan; and all the men who stood up against the enemy, taking their beatings without whimper and their triumphs without boasting. The men who went and would go again to hell and back to preserve what our country thinks right and decent.
"My country. America! That is it. We have been so intent on death that we have forgotten life. And now suddenly life faces us. I swear to myself that I will measure up to it. I may be branded by war, but I will not be defeated by it.
"Gradually it becomes clear. I will go back. I will find the kind of girl of whom I once dreamed. I will learn to look at life through uncynical eyes, to have faith, to know love. I will learn to work in peace as in war. And finally - finally, like countless others, I will learn to live again."

52 of 53 people found the following review helpful.
A Must Read - Audie Murphy's "To Hell and Back"
By Jason W. Smith
I read this book for the first time as a Sophomore in high school and am compelled to rank it as one of the top five books I've ever picked up (Sakai's "Samurai!" and Galland's "The First and the Last" being the only others that I'd dare compare to it).
Audie Murphy, the most decorated American soldier of World War II, was awarded every medal for valor his country could give (The Congressional Medal of Honor, Distinguished Service Cross, The Bronze Star Medal, The Bronze Star Medal with a Bronze Service Arrowhead, the Legion of Merit, two Silver Stars, the Purple Heart...the list goes on and on), yet he tells his story in such an unassuming manner that it is hard to believe it is written by a war hero. Audie seems more content to discuss his friends and their impact on the war and on his life than to talk about himself. In his eyes, they are the heroes, and his book does a fine job of paying homage to the footsoldier of World War II.
His book is also a marvelously frank and vivid account of combat through the eyes an "everyman." A poor farm boy from Texas, Murphy is perhaps in many ways the typical hero: one who, when faced with a challenge, rises to a level beyond that which could reasonably be expected under different circumstances. Despite being rejected by the Marines and the Navy for military service ("You're too small, kid"), Audie refused to give up his quest to serve his country. Faced with the horror of war (and the deaths of close comrades), Murphy continuously and relentlessly rose to meet the challenges presented him when those of lesser mettle would surely have cowered. All the more remarkable is that Audie accomplished all this before the age of twenty!
No review could ever do this book justice. It is wonderful, sincere, sad, and true. Rest assured, you will not be disappointed. HIGHLY recommended.

75 of 80 people found the following review helpful.
The Modest Hero
By R. A Forczyk
Audie Murphy's To Hell and Back is one of the quintessential front-line soldier accounts of the Second World War. The book is not a memoir or autobiography, since Murphy wrote little of it himself and describes little of his life before or after his combat experiences. Nor does Murphy even mention any of awards, including the Medal of Honor, or the fact that he served the entire war in B Company, 1-15th Infantry, 3rd Infantry Division. The book focuses entirely on the period July 1943 to March 1945, with most of the emphasis on the Anzio, Southern France and Vosges campaigns. On the negative side, Murphy's account is extremely self-effacing and at times is more focused on his squad members, whose GI Joe conversations appear fake and silly. Nevertheless, Murphy's comrades appear as real human beings and the reader will regret the death of each. To Hell and Back is not particularly well written - it is in fact a rather pedestrian account that wanders at times - but what it lacks in style it delivers in frank reality. Murphy's wartime account is often brutal - sometimes humorous - but it makes other more recent homogenized efforts like Band of Brothers seem contrived in comparison.
Currently, the myth has been propagated that only highly trained specialists in peak physical and mental condition should engage in close infantry combat. Audi Murphy, the scrawny, orphaned teenager from Texas who was rejected by the marines and paratroopers, stands to discredit that myth. In combat, Murphy found his niche in life. With a carbine in his hands, Murphy became a real killer. Quick reflexes, common sense and a certain amount of luck gave him the edge and allowed him to survive all his original squad mates. A great deal has been written and speculated about Murphy's psychology and motivations; there is no doubt that he sought out combat even when he could have avoided it. Was he a war-lover or have a death wish? No. Murphy fought because he was good at it. As the main character in the French film Capitaine Conan noted, "millions were in the war but only a few thousand actually fought it." Murphy was one of those soldiers who was never content just to survive the war but rather, he was strongly motivated to play an active role. While Murphy never cracked under the strain of nearly two years of combat, there is little doubt that the war marked him indelibly. By Anzio, Murphy had become imbued with a tough, no-nonsense set of values. At the end of To Hell and Back, Murphy writes, "when I was a child, I was told that men were branded by war. Has the brand been put on me? Have the years of blood and ruin stripped me of all decency? Of all belief? Not of all belief. I believe in the force of a hand grenade, the power of artillery, the accuracy of a Garand. I believe in hitting before you get hit, and that dead men do not look noble."
Unfortunately, the weakest aspect of To Hell and Back is the author's failure to paint a complete portrait of himself. Important issues, like how did a combat-wise Sergeant Murphy deal with his inexperienced lieutenants in Anzio or France are virtually ignored. The fact that Murphy rose from squad leader, to platoon sergeant, to platoon leader to company commander in the same company is never addressed, but would have been very interesting. How did Murphy handle the transition from enlisted, to NCO to commissioned officer surrounded by his peers? To Hell and Back is enhanced by the fact that it was written only shortly after the war when memories were still sharp, but the rush to publish a "blood and guts" account undermines the value of Murphy's story. The brief introduction by Tom Brokaw also appears a blatant attempt to market a dead hero, as if his name was brand-name merchandise. Brokaw says nothing of value in this introduction, and it should have been written by somebody who actually knew the man, rather than some publicity-hog talking head from NBC who never met him or served in the military.
Hopefully, the reprint of To Hell and Back will help to keep alive the notion that America can produce fine soldiers from places other than West Point. Murphy's book should also be compared with other war memoirs from other authors and other wars. Recently, I read the Persian Gulf War memoir entitled The Eyes of Orion, and was struck by the authors' near-obsession with post-war graduate school plans while remaining virtually oblivious to their potential for battlefield death. Murphy said, "until the last shot is fired, I will go on living from day to day, making no postwar plans." Compared with the pretentious, homogenized, backbiting Band of Brothers, Murphy's book seems incredibly modest and civil. Although Murphy's unit suffered heavy casualties and was often short of food in the front-line, the author never complained about his superiors or the US Army. Murphy's unselfish and uncritical reflection of his wartime service should stand as an example of others who serve and write.

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"This present moment
That lives on

To become

Long ago."

For his first collection of new poems since his celebrated Danger on Peaks, published in 2004, Gary Snyder finds himself ranging over the planet. Journeys to the Dolomites, to the north shore of Lake Tahoe, from Paris and Tuscany to the shrine at Delphi, from Santa Fe to Sella Pass, Snyder lays out these poems as a map of the last decade. Placed side-by-side, they become a path and a trail of complexity and lyrical regard, a sort of riprap of the poet’s eighth decade. And in the mix are some of the most beautiful domestic poems of his great career, poems about his work as a homesteader and householder, as a father and husband, as a friend and neighbor. A centerpiece in this collection is a long poem about the death of his beloved, Carole Koda, a rich poem of grief and sorrow, rare in its steady resolved focus on a dying wife, of a power unequaled in American poetry.

As a friend is quoted in one of these new poems:

"I met the other lately in the far back of a bar,
musicians playing near the window and he
sweetly told me “listen to that music.

The self we hold so dear will soon be gone.”"

Gary Snyder is one of the greatest American poets of the last century, and This Present Moment shows his command, his broad range, and his remarkable courage.

• Sales Rank: #303445 in Books
• Published on: 2015-04-14
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .70" w x 6.10" l, .0 pounds
• Binding: Hardcover
• 88 pages

Review
“This Present Moment maintains Snyder’s steadfast, wise witnessing as he walks a Siberian Outpost meadow, gazes at clear-cut forest, or considers changing farmland in Italy. Snyder’s clearsightedness and meditative voice, even in the face of struggle or destruction, give the work much of its power."—Christian Science Monitor

"Snyder has parceled out the decade since his last poetry collection (Danger on Peaks) into textured poems of a rare and welcome candor."—Publisher's Weekly

"[E]ach of the moments of these poems is completely open, even when, as in the long, particular poem about the death of Snyder’s late-life love, “Go Now,” it resounds with deep personal emotion. The moment of a Snyder poem is the “Eternal Now” of mindfulness and awareness, a good place to be."—Booklist

"Snyder is an elder statesman of the natural world and the tribal unions of poetry. He has a body of work as original as predecessors William Carlos Williams and Wallace Stevens."—The Bloomsbury Review

"His greatest strength—a quiet and profound elegance, an ability to write a simple phrase that seems to have been echoing through human consciousness for three or four thousand years."—Lewis MacAdams, California Magazine

"This poet’s great gift has always been perfect visual clarity . . . and, needless to say, derives from Snyder’s vision in the larger sense."—Paul Berman, Village Voice

"What thoughtful beauty! How skillfully Gary Snyder interfuses the practical knowledge of an animal sense with story, language, and song. True teachers in America are now an endangered species. I learn so much from this good man’s perception, humor, discipline, and love for this world."—James Hillman

About the Author
Gary Snyder was born in San Francisco on May 8, 1930. His first book, Riprap, published in 1959, has become a classic in American poetry, and he’s gone on to publish more than a dozen collections of poetry and prose. Practice of the Wild is one of the most influential books about the environment of the last fifty years. His recently completed long poem, Mountains and Rivers Without End, is broadly recognized as one of the greatest long poems in American literature, and his last book of poems, Danger on Peaks, was a finalist for the National Book Critics Circle Award. He was awarded the Bollingen Prize for poetry in 1997. He also has the distinction of being the first American to receive the Buddhism Transmission Award from the Bukkyo Dendo Kyokai Foundation.

Excerpt. © Reprinted by permission. All rights reserved.
I could never be a Muslim, or a Christian, or a Jew because the Ten Commandments fall short of moral vigor. The Bible’s “Shalt not kill” leaves out other realms of life,

How could that be? What sort of world did they think this is?
With no account for all the wriggling feelers and little fins, the spines, the slimy
Necks -- eyes shiny in the night – paw prints in the snow.

And that other thing, can’t have “no other god before me” – like,
profound anxiety of power and jealousy and envy, what sort of god is that?
Worrying all the time?
Plenty of little gods are waiting to begin their practice and learn just who
they are.

Most helpful customer reviews

21 of 23 people found the following review helpful.
For all of it.
By Ernest Presley
I'm glad to have a new book of Gary's poems. I am thankful for his life, his rootedness, and that he has so simply shared it with us all, over and over again. He stands before us on the page a plain old man, and in this, becomes remarkable. He calls us into our most human selves. Good for you Gary! Thanks for all of it.

15 of 16 people found the following review helpful.
Gary Snyder rocks
By James W.
Gary Snyder, what a man. In the fall of 1968 I watched Thurgood Marshall preside over a moot court of law students, heard Alex Haley speak about his time and conversations with Malcolm X and his current project, Roots, but the most powerful presentation I witnessed on campus that freshman fall was a poetry reading and elucidation by Gary Snyder.

Though identified as one of the Beats, he didn't speak at all about that time or those people. In hindsight we can see that he influenced the Beat poets and writers more than they him. He introduced Allen Ginsberg, Phillip Whalen and Jack Kerouac to Buddhist thought, sensibilities, and Zen meditation. He got Kerouac and Phillip Whalen jobs as fire lookouts in the Cascades. Now at 83, he is one of the few surviving and other than Laurence Ferlinghetti, may be the longest lived of the Beats.

That night in ’68 he read his poems, mostly from his upcoming Turtle Island, for which he would win the Pulitzer Prize. After each poem he spoke of the connections to Buddhism, the earth, Native American symbology and myths. He talked, knowing poetry was his way to link them together. Then he would recite another poem. He was aware of the difficulty of trying to assimilate so many histories, cultures, identities and ideas into a brief spoken format. He tried his best to inform his listeners, that night to his audience, and ever after to the readers of his poems.

He tried to explain his melded interests, a sacred earth, our environment, how cultures from ancient Chinese to Native American treated their world, and how to translate it into words. He was living in the eastern Sierras, trying to integrate what he knew with the life he lived and observed. He was sympathetic to the loggers and the back to the land neighbors in his mountains, but did not hesitate to point out anomalies. He said the geodesic domes erected by new age wannabes seemed like “warts on the earth.”

Now I occasionally come across one of his poems. It's like running into an old friend. It's hard to remember too many details of my only encounter with him. I admire his passion of exploration. He seems never to have stopped, delving further into environmental care and activism. He has never ignored the world he is part of, still striving to preserve and convey what is important. His unifying vehicle has always been poetry, his sincerity overwhelming. This I recall then, and imagine now.

Then I met him at a reading this year. He makes the world a better place.

18 of 20 people found the following review helpful.
Important
By Mark Statman
So Snyder has been a constant voice for as long as I have known there is such a thing as poetry. Is this his best book? No. It is uneven, but it is still a major work because he is so important. His poem for his dead wife is memorial, eulogy, celebration, sadness. Alone it makes this an important book.

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• Sales Rank: #68758 in eBooks
• Published on: 2015-08-27
• Released on: 2015-08-27
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Can you judge a book by its description? Yup.
By katohnine
I'm guessing the author wrote the description of this book and judging by how horribly that's written, I wouldn't waste my time reading any more. I feel that an author should, at the very least, have a grasp of basic grammar if he wants to be paid for his work.

0 of 0 people found the following review helpful.
Use a search engine instead
By Christopher Hiller
Handful of recipes. Very slim on content. Not for absolute beginners due to unexplained acronyms.

0 of 0 people found the following review helpful.
Five Stars
By jgross45
Love this book

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A powerful 50-page digital-only novella set in the world of Rae Carson's acclaimed and epic fantasy The Girl of Fire and Thorns. A teenage girl must fight to survive when her village is destroyed by enemy sorcerers.

• Sales Rank: #90753 in eBooks
• Published on: 2013-03-26
• Released on: 2013-03-26
• Format: Kindle eBook

From the Back Cover
While Princess Elisa was being forced across the desert by a band of rebel kidnappers, her future handmaiden--and best friend--Mara, was fighting for survival as enemy sorcerers destroyed the countryside. This is Mara's story.

Mara is finally going to escape. She is in love. And even her harsh, controlling, volatile father cannot keep her from running off with the boy who makes her feel beautiful. But on the day she and Julio plan to leave their desert village, the enemy sorcerers attack, burning it to the ground. The only survivors are a handful of children, and seventeen-year-old Mara has no choice but to lead them. She must make it through the mountains to the rumored rebel camp and protect the children following her. She might lose everything--and everyone--she's ever loved, but what she finds will lead her down a path that will change the world. Told from Mara's point-of-view, The Shattered Mountain is an alternate perspective of the beginning of the acclaimed The Girl of Fire and Thorns.

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2 of 2 people found the following review helpful.
Why Mara is Elisa's Perfect Companion
By Amazon Customer
I have to give Carson credit--these prequels definitely serve to help round out the world and give us a different look at Elisa (or the role she fills). In "Shadow Cats", told from Alodia's POV, we saw Elisa as a younger girl, frightened, but understanding so much more than Alodia gave her credit for. Now in "The Shattered Mountain", though Elisa has a very small role near the end, Carson shows us how from the very first moment Mara saw that Elisa was special and would understand her.

This also serves as a way to establish the reason for a lot of Mara's early antagonism as well as the bond she shared with many of the children shown throughout the first two books. In a matter of less than a hundred pages we see Mara go from a dreamer who saw freedom only in how far she could run to a leader, keeping a dozen or so children grounded and brave against impossible odds.

I wouldn't say that Mara is hard or grim; she has moments of such, but who wouldn't under such odds? She is trying to keep frightened, starving, injured and grieving children alive while avoiding the Invierno who are everywhere. She makes a lot of decisions that are hard and doesn't have a lot of time for coddling. Survival is on the line and discomfort now could save their lives.

I already liked Mara from the books, so this was just icing. This served to illustrate why she is such a good fit with Elisa. I do think this was a story you could only fully appreciate if you had read the books first. The details we learned throughout those books are fully explored here and thus all the more appreciated.

1 of 1 people found the following review helpful.
Excellent Novella!
By Step Into Fiction
This world, these characters, this story is just amazing. She could put out a novella about these characters eating a meal and I would definitely read it just because I can't get enough of everything that Rae Carson has created. Not to mention all of these covers are so brilliant, beautiful and attention grabbing. If you don't know what series I'm talking about then I suggest you go out and buy the first book, The Girl of Fire and Thorns; you can thank me later.

Mara fell in love with a boy. It all starts with that, doesn't it? Not only did she fall in love with a boy but she was planning on running away with said boy. Her father would never approve their marriage and she was safer farther away from him. Problem is, she never gets the chance to live out her happily every after. Her village is viciously attacked and many are dead or left for dying. It's up to her, the man she loves' younger brother and a few other children varying in ages from four to fourteen. Julio, the man she was to run away with, used himself as a distraction so she could save herself and the few children left standing. It was a brave, selfless thing to do and who knows if he's survived or was caught during his distraction.

This novella is the story of how Mara went from being a girl in love to being a girl who care and look out for those who needed it. She went from being a girl abused by her father to a girl who would lead others to safety. Just like how Elisa grew so much in her first book, The Girl of Fire and Thorns, we can see how much Mara grew in this novella. Mara is a character I really like in this series and now, she is one I truly admire.

If you love this series, like I said, there's no reason for you not to check out this novella. If you're like me, you can't get enough of this world, these characters and this story so don't deny yourself a chance for more now.

Reviewed by Jessica @ Step Into Fiction

0 of 0 people found the following review helpful.
Heartbreaking and amazing short story from this epic trilogy.
By Carina's Books
After having read and loved The Bitter Kingdom yesterday I knew I had to read this novella right away. And I'm so glad I did. The Shattered Mountain is an amazing short story. Although it isn't that short, it is one hundred pages. Yet I wished it was longer. Because I loved reading about Mara, and her story. The writing is as beautiful as ever. And the world just as deadly.

My review won't be all that long, since the novella is short and I don't won't to spoil everything that happens :) The Shattered Mountain is told from the point of view of Mara, who we get to know in the Girl of Fire and Thorns books. This is the story about her life before she is the maid of Elisa. How she got there. And oh. It is amazing and heartbreaking and just perfect.

If you read the summary, you know what this novella is about. Mara is seventeen years old, and she's living with her Pa in a small village. I hated her father. He abuses her, and he didn't seem nice at all. Happy we didn't see too much about him. But she's also happy. Because she has a boyfriend; Julio. And oh. Julio just seemed so amazing, and I loved him, and it breaks my heart, because having read the other books I knew what would happen. Sobs. But so amazing. It is really heartbreaking. And I loved it all.

The same day that Mara and Julio is planning on running away their village gets attacked by the Inviernos. And oh. It is so heartbreaking. Because they are killing everyone with their fire and arrows. Yet I loved reading about it. So many things happen after that. Mara gets away with a bunch of children, where she is the oldest one and have to take care of them all. But it's hard. Because they don't have enough food, and they have to travel in the mountain for at least a week. I loved every second of it.

We get to meet many characters as well. Loved Julio. And I loved his brother, Adán. He was just so strong. And I loved reading about Raynaldo as well. Kind and strong, yet they are both young. But tiny Teena broke my heart. She was just so little and so strong yet broken as well. I just loved reading about them all. The plot in this book is also really, really good, and I could not stop reading. There is action, heartbreak, romance and just everything. It is a very exciting read, and I'm so thrilled that I read it.

I loved reading from Mara's point of view, and I just wish it had been ever longer. I also love these novella's that Rae writes. I hope she will write many more from this amazing series :) I think you all would love this short story. Especially if you have read The Girl of Fire and Thorns. But even if you haven't read those books I think you would love this one. Because it's amazing. And heartbreaking. But it have some hope. It is a truly amazing novella, and I simply cannot wait to read more from Rae Carson.

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• Published on: 2013-06-15
• Released on: 2013-06-15
• Format: Kindle eBook

About the Author
R Ramakrishan MS DO Chief Medical Officer.Aravind Eye Hospital, Tirunelveli, Tamil Nadu, India R. Krishnadas DO, DNB Senior Consultant.Glaucoma Services.Aravind Eye Hospital, Madurai, Tamil Nadu, India Alan L. Robin MD Associate Professor Ophthalmology and International Health, John Hopkins University, Clinical Professor of Ophthalmology, University of Maryland, Baltimore, USA. Mona Khurana MS Consultant, Glaucoma Services, Aravind Eye Hospital, Tirunelveli, Tamil Nadu, India

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From celebrated art historian, curator, and teacher Sarah Lewis, a fascinating examination of how our most iconic creative endeavors—from innovation to the arts—are not achievements but conversions, corrections after failed attempts.

The gift of failure is a riddle: it will always be both the void and the start of infinite possibility. The Rise—part investigation into a psychological mystery, part an argument about creativity and art, and part a soulful celebration of the determination and courage of the human spirit—makes the case that many of the world’s greatest achievements have come from understanding the central importance of failure.

Written over the course of four years, this exquisite biography of an idea is about the improbable foundations of a creative human endeavor. Each chapter focuses on the inestimable value of often ignored ideas—the power of surrender, how play is essential for innovation, the “near win” can help propel you on the road to mastery, the importance of grit and creative practice. The Rise shares narratives about figures past and present that range from choreographers, writers, painters, inventors, and entrepreneurs; Frederick Douglass, Samuel F.B. Morse, Diane Arbus, and J.K. Rowling, for example, feature alongside choreographer Paul Taylor, Nobel Prize–winning physicists Andre Geim and Konstantin Novoselov, and Arctic explorer Ben Saunders.

With valuable lessons for pedagogy and parenting, for innovation and discovery, and for self-direction and creativity, The Rise “gives the old chestnut ‘If at first you don’t succeed…’ a jolt of adrenaline” (Elle).

• Sales Rank: #63390 in Books
• Published on: 2015-03-17
• Released on: 2015-03-17
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x .80" w x 5.50" l, .0 pounds
• Binding: Paperback
• 272 pages

From Booklist
In this scholarly yet accessible text, art curator and cultural critic Lewis seeks to redefine the place of failure in the creative process. Beginning with the metaphor of the archer’s arrow that cannot travel in a direct line but must rise and fall before it hits its target, Lewis deftly weaves together theories on failure from hundreds of sources. Moving smoothly from Wynton Marsalis’ thoughts on jazz improvisation to Al Gore’s reflection on presidential loss, Lewis’ chapters profile those who have achieved mastery in their field by following the indirect path, often moving backwards, losing out, experimenting, and playing the amateur. These tales of grit and endurance include Samuel Morse’s failed painting career prior to inventing the telegraph, Ben Saunder’s solo ski to the North Pole, choreographer Paul Taylor’s disastrous early performances, and physicist Andre Geim’s playful discovery that earned him the 2010 Nobel Prize. Lewis focuses on the broadest definition of creativity, finding cross-disciplinary inspiration in entrepreneurship, mathematics, sports, and religion. Throughout, she illuminates the ways in which failure offers the irreplaceable advantage of propelling us forward. --Lindsay Bosch

Review
"The Rise points us toward the dazzling afterlife of the dead end, shining light on numerous other counter-intuitive paths to mastery. It delineates the impetus that can be prized from failure, the genius lurking in amateurism, the scientific insights hidden within artistic process. Sarah Lewis meditates on the ways we can will ourselves across the chasms of self-doubt that separate us from astonishing innovation and insight.“ (Andrew Solomon, author of Far from the Tree)

"Success and failure are often seen as polar opposites, one the peak and the other the abyss. In The Rise, Sarah Lewis reexamines our views of both and offers news paths and paradigms. Like Malcolm Gladwell, she brilliantly takes complex ideas and makes them easy to follow, making it possible for us to see the world in a brand new way." (Edwidge Danticat, author of Create Dangerously)

"Sarah Lewis has assembled a rich trove of reflections not just on creativity but on the too-often ignored role that failure and surrender play in almost any ambitious undertaking. That counter-intuitive point of attack makes The Rise a welcome departure from standard accounts of artistry and innovation." (Lewis Hyde, author of The Gift)

"The Rise is a tour d' force—uplifting, smart, and important." (Ellen Langer, Professor of Psychology, Harvard University, author of Counter Clockwise)

"A work of rare insight and sensitivity, brilliantly researched and beautifully written, The Rise shows you how to stay open and be fearless. Sarah Lewis takes you to unexpected places, to spheres that just may become fabulous. There is no other book like it in the world." (Nell Painter, Edwards Professor of American History at Princeton University)

“The Rise marks the arrival of Sarah Lewis. With wit, heart, and remarkable research, Lewis elegantly demonstrates why excruciating, even humiliating failure is essential for success and mastery. The Rise is rich with lessons for all of us.” (Darren Walker, President of the Ford Foundation)

"Creativity is not a process, as so many books would like us to believe. It is a human condition waiting to be unearthed, as Sarah Lewis so beautifully shows us through her sharing of connected stories and personal insights in The Rise. " (Ivy Ross, CMO of Art.com)

"Sarah Lewis is one the most talented writers and curators of her generation. The Rise should not just be read by every artist, but by every person hoping to unearth his or her own capacity for discovery and creativity. She provides an important and positive voice for the arts in a turbulent time." (Agnes Gund, President Emerita, The Museum of Modern Art)

“I was raised to be terrified of making mistakes, as though there was a smooth way forward without them. There is no other way forward; either you stumble through error, failure, risk and uncertainty on the available paths or you're stuck. Sarah Lewis's The Rise makes a beautiful case both for the necessity of risk and failure and experimentation and for how the road to success is paved with such things, and along the way she tells us about arctic exploration, a future Supreme Court lawyer's captivation with Louis Armstrong's music, something surprising about Hollywood, Frederick Douglass's emphasis on beauty, and a host of other captivating stories to prove her points. ‘My life is full of mistakes. They're like pebbles that make a good road,’ said the great ceramicist Beatrice Wood; this is a map of such roads and a collection of the most beautiful of those stones.” (Rebecca Solnit, author of The Faraway Nearby)

"Independence from everything other than life itself, is what makes any writer significant to the serious reader. Sarah Lewis is sensitive to deep meanings that are not common but always, due to her vibrant prose, seem exquisitely natural. Too much about her independence from the expected, cannot be said." (Stanley Crouch, author of Kansas City Lightning)

"Lewis’s erudition in art and history is matched by her sympathy to the iterative failures of great art, making inspiring readers for those in the process of creation" (Publishers Weekly)

"Creativity, like genius, is inexplicable, but Lewis’ synthesis of history, biography and psychological research offers a thoughtful response to the question of how new ideas happen." (Kirkus)

"A well-written book that examines creativity, failure, and success. Recommended for anyone who wants to comprehend the value of innovation and discovery, as well as undergraduate and graduate students, scholars, and researchers of psychology, sociology, and the visual and performing arts." (Library Journal)

"Without a whiff of self-help preachiness, The Rise will make you reconsider your own foibles and flops, if only by showing how minor they are compared with the epic setbacks she details. From Martin Luther King Jr.’s struggle to overcome a distracting verbal tic to the phenomenon of elite women archers who go from regularly nailing the bull’s-eye to suddenly not even making the target, the book gives the old chestnut “If at first you don’t succeed…” a jolt of adrenaline." (Elle)

"Lewis, driven by her lifelong “magpie curiosity about how we become,” crafts her argument slowly, meticulously, stepping away from it like a sculptor gaining perspective on her sculpture and examining it through other eyes, other experiences, other particularities, which she weaves together into an intricate tapestry of “magpielike borrowings” filtered through the sieve of her own point of view. The Rise is a dimensional read in its entirety — highly recommended." (Maria Popova Brain Pickings)

"Lewis's voice is so lyrical and engaging that her book, "The Rise," can be read in one sitting, which is so much the better since its argument is multilayered and needs to be taken whole." (The New York Times)

About the Author
Sarah Lewis has served on President Obama’s Arts Policy Committee, been selected for Oprah’s “Power List,” and is a Critic at the Yale University School of Art in the MFA program. She is also an active curator, having held positions at both the Tate Modern and The Museum of Modern Art. Her writing on contemporary art has been published extensively. She received her BA from Harvard University, an MPhil from Oxford University, and her PhD from Yale University. She lives in New York City.

Most helpful customer reviews

63 of 70 people found the following review helpful.
Not bad, but bland
By Margarethe Bracey
I read many great reviews of this book and having read hundreds of self-help and inspirational books as well as a number on mastery, innovation and creativity, I was expecting something really good. I was disapointed. She tells some good stories but tends to ramble on and not stay on point. The literary style of her writing might work well in a novel but I found it distracting in this type of book where one generally wants to get to the point and move on to the next in a more or less robust manner. I found mysel reading and re-reading long tangled sentences that didn't seem to quite nail down what she wanted to say but danced around it. Literary and artistic -- yes. Direct and succinct -- no. Nothing in the content is new or original, nor does she bring any of her own experience into the book which might have saved it from the blandness -- maybe because she doesn't have any. She's gone to school a lot is the only thing I can tell from her biography. She clearly did a lot of research and all that data might have overwhelmed the clear line of thought one has to hold to write a really good book, as well as the heart required to connect with the reader. She writes like a very bright school girl and not like someone who has had any real experience with the subject she chose. Not bad, but a book on overcoming failure, gaining mastery, and living a truly creative life needs an author who has lived it, at least to some extent, and not just gathered pretty stories to thread together.

37 of 43 people found the following review helpful.
Turning failure on its back and dissecting the particulars can take us into the next realm of our growth and expression
By Bookreporter
There are many famous achievements noted in THE RISE, but the most salient point about failure and what it provides the person who has failed in a particular endeavor comes from a member of Scott’s failed Arctic bid, Navy Explorer George Nares: “It is true that we failed to bring home the North Pole as a national present to the world, but those who regret that circumstance may be consoled with the knowledge that failure implants more deeply in all breasts the desire to excel.” THE RISE attempts to make the case that the lessons learned from spectacular failures can only enhance and support the masterpieces that come when anyone is forced to confront the bad and reconstruct an idea into its inevitable success.

Sarah Lewis doesn’t have a huge history with failure herself. She has a BA from Harvard, a Masters of Philosophy from Oxford, and is getting a Ph.D. from Yale this year. She has been a curator at the Tate Modern and MOMA in New York. She was on Obama’s Arts Policy Committee, on Oprah’s “Power List” and a Critic at the Yale University School of Art in the MFA program. Is it possible for someone this accomplished (and under 40) to really understand what failure is for most people? Well, Lewis doesn’t bother with any stories about ordinary people. Instead, she fills the book with tales from those who, despite searching for success at some point in their lives, found huge fame and accolades later on after a period of reconstruction and reinvention.

Mythmaker J.K. Rowling, choreographer Paul Taylor and activist Frederick Douglass are all examples of famous personages who suffered the slings and arrows of fate, who survived periods of lowdown depression and endless negative reinforcement only to take those anger-inducing, frustrating circumstances and turn them into lauded achievements later on. Lewis believes that this type of resilience is possible for anyone and that these examples serve to prove that it is truly possible to recreate oneself or one’s work into something that will find purpose in the greater world.

One of the things that brings Lewis’s sources to this point after a situation that would cause most people to run for cover and never try again is what she refers to as “grit.” The resilience to take failure and continue moving towards a goal, by rethinking the original plan or just going forward with a new project in the face of past failure, requires a certain mindset. Lewis says, “Grit is a portable skill that moves across seemingly varied interests. Grit can be expressed in your chosen pursuit and appears in multiple domains over time. It can be expressed through the pursuit of painting, and then through the invention of the telegraph.” Switching course and finding new ways to attempt your particular adventure is a necessary but learnable skill that helps people meet their potential. She spends a good part of the book discussing how other theorists agree that training kids to excel in “grit” would be a progressive step in truly preparing the young for inheriting our flawed world.

Lewis writes like an academic; this is no cozy Dr. Dyer book with everything boiled down to simplistic platitudes that would find refuge on cat posters. It is a very thoughtful look at turning lemons into lemonade. Turning failure on its back and dissecting the particulars can take us into the next realm of our growth and expression. Lewis thinks it’s possible, and after reading THE RISE, I have to say I believe her.

Reviewed by Jana Siciliano

19 of 22 people found the following review helpful.
Play, Safe Havens, Imagination, Surrender & Mastery: Sarah Lewis Teaches Us How to "Rise"
By April Yvonne Garrett
In a world where many are happy to share their opinions regarding matters about which they have given little thought, Sarah Lewis has taken the time to gift us a deeply thoughtful and meticulously crafted book that chronicles with great aplomb how failure has led to some of the world's most well-regarded successes.

The impeccable research in "The Rise" and Sarah's ability to make connections between the complex and simple make the book infinitely quotable:
"We all have a blind spot around our privileges shaped exactly like us," as Junot Díaz said, and it can create a blindness to failures all around. It results in the Einstellung effect: the cost of success is that it can block our ability to see when what has worked well in the past might not any longer. In the face of entrenched failure, there are limits to reason's ability to offer us a way out. Play helps to see things anew, as do safe havens. Yet the imagination inspired from an aesthetic encounter can get us to the point of surrender, giving over to a new version of ourselves."

Play, safe havens, imagination, surrender. This book is filled with no shortage stunning illuminations.

Perhaps one of the greatest gifts Sarah offers us is the distinction between "success" and "mastery":
"Mastery requires endurance. Mastery, a word we don't use often, is not the equivalent of what we might consider its cognate -- perfectionism -- an inhuman aim motivated by a concern with how others view us. Mastery is also not the same as success -- an event-based victory based on a peak point, a punctuated moment in time. Mastery is not merely a commitment to a goal, but to a curved-line, constant pursuit."

In my mind, that quote alone makes "The Rise" an instant classic that will remain one of the top three books I gift to loved ones, friends, and associates who have vision, respect the need to attend to and correct failures, and seek mastery over success.

See all 59 customer reviews...

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[K303.Ebook] Download PDF The Thinking Student's Guide to College: 75 Tips for Getting a Better Education (Chicago Guides to Academic Life), by Andrew Roberts

Download PDF The Thinking Student's Guide to College: 75 Tips for Getting a Better Education (Chicago Guides to Academic Life), by Andrew Roberts

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Each fall, thousands of eager freshmen descend on college and university campuses expecting the best education imaginable: inspiring classes taught by top-ranked professors, academic advisors who will guide them to a prestigious job or graduate school, and an environment where learning flourishes outside the classroom as much as it does in lecture halls. Unfortunately, most of these freshmen soon learn that academic life is not what they imagined. Classes are taught by overworked graduate students and adjuncts rather than seasoned faculty members, undergrads receive minimal attention from advisors or administrators, and potentially valuable campus resources remain outside their grasp.

Andrew Roberts’ Thinking Student’s Guide to College helps students take charge of their university experience by providing a blueprint they can follow to achieve their educational goals—whether at public or private schools, large research universities or small liberal arts colleges. An inside look penned by a professor at Northwestern University, this book offers concrete tips on choosing a college, selecting classes, deciding on a major, interacting with faculty, and applying to graduate school. Here, Roberts exposes the secrets of the ivory tower to reveal what motivates professors, where to find loopholes in university bureaucracy, and most importantly, how to get a personalized education. Based on interviews with faculty and cutting-edge educational research, The Thinking Student’s Guide to College is a necessary handbook for students striving to excel academically, creatively, and personally during their undergraduate years.

• Sales Rank: #562018 in Books
• Brand: Brand: University Of Chicago Press
• Published on: 2010-09-01
• Released on: 2010-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, .63 pounds
• Binding: Paperback
• 184 pages

Features

• Used Book in Good Condition

Review
“Andrew Roberts has a light touch, gives students excellent advice, and writes in a direct, engaging style. What I find particularly interesting is the perspective from which he counsels students, that of a serious academic who seems fully dedicated to his profession despite what he sees as its flaws and who knows his way around a university. A student who took his tips to heart could hardly go wrong, for Professor Roberts’ advice is based on good, solid academic values.” (Michael Koppisch, Michigan State University 2010-02-04)

“The Thinking Student’s Guide to College addresses a neglected topic with force and persuasiveness. This valuable book, aimed at high achieving students at selective universities who want to get a quality education, offers genuinely practical advice. By addressing students directly, drawing on his experience and observations in academic life, Andrew Roberts provides an accessible and credible account of how to make college a valuable experience educationally.”

(Michael McPherson, President of the Spencer Foundation, former president of Macalester College 2010-02-05)

"Every selective college offers a high quality academic experience to the student who knows how to get it, but none give you a map, let alone instructions. Andrew Roberts has written the perfect travel guide to the best things on offer: an undergraduate who took just a third of his advice would double the value of her time in college. Every prospective freshman should read this book, and every parent of a prospective freshman has to read it. Easy and fun to read, with pages of advice." (Harry Brighouse, University of Wisconsin 2010-03-25)

“In fact I don’t currently have a copy of the book, because each copy I get goes to the next high school senior who walks through the door (which an alarming number of them seem to be doing these days). As suggested by this, 75 Tips would be a great Christmas present for the college-bound high school seniors and college freshmen of your acquaintance.”

(Crooked Timber 2010-11-28)

“I want to nominate a book for this summer's college reading lists that I think represents the best possible selection: The Thinking Student’s Guide to College: 75 Tips for Getting a Better Education. Andrew Roberts, an assistant professor of political science at Northwestern University, wrote this great book that can help students squeeze far more value out of their college years than any other book that I've read.”

(Lynne O'Shaughnessy U.S. News and World Report)

About the Author
 

Andrew Robertsis assistant professor of political science at Northwestern University and fellow at the Institute for Policy Research. He is the author of The Quality of Democracy in Eastern Europe: Public Preferences and Policy Reforms.

Most helpful customer reviews

32 of 35 people found the following review helpful.
Get one for your college bound senior or college freshman
By Harry Brighouse
The other night I got one of those emails from unknown students which just starts "Hey" and continues with some request (usually to be admitted to one of my oversubscribed classes). My immediate reaction is to ignore (that was my wife's advice) but this time I just decided to do something different. I wrote back explaining the over-subscription situation, and finished with this "By the way, you might want to address people you haven't met more formally in future: I don't find it irritating but many will" (which is a lie, I do find it irritating, but there's no need to tell her that). My original version had more verbiage in it, but my 14 year old (whose missives to teachers are like business letters) told me to take it out on the grounds that "she'll never do it again, but she'll be scared to meet you".

I was prompted to do this by Andrew Roberts' The Thinking Student's Guide to College: 75 Tips for Getting a Better Education (see tip 53). The central idea is that students need a map of how to get the most out of college, and that lots of them arrive not understanding key things. Why not just make it explicit for her?

In fact I don't currently have a copy of the book, because each copy I get goes to the next high school senior who walks through the door (which an alarming number of them seem to be doing these days). As suggested by this, 75 Tips would be a great Christmas present for the college-bound high school seniors and college freshmen of your acquaintance.

Roberts divides the book into 9 sections--an explanation of how universities work; tips for choosing a college (upshot - don't make such a meal of it, you'll like wherever you go pretty much); tips on choosing classes (including the sensible tip not to take more than a couple of classes with any professor--because most of us have at most 2 classes worth of learning to impart) and on choosing a major; tips on being successful (including the excellent advice, too often neglected, to study with other people); on interacting with professors (don't address then in your first email with a "hey", go to their office hours (I always tell students this, and they say they have had experiences of being distinctly not wanted, and relax when I point out that if he really wants to get rid of you you can leave and he won't remember you), also, get to know at least one professor reasonably well, which, I should say, is brilliant advice but not entirely easy to follow at a place like mine); what to do with your extra-curricular time; whether and when to go to graduate school; and a final section explaining how professors behave and what incentives they are responding to (they want to research not teach, and teach graduate students not undergraduates--a friend who recently graduated from an Ivy-ish institution told me that in his address to them on the first day of freshman year the Provost just told them that they should know that Professors would have no interest in them).

The tips are each easily digestible--if you have trouble reading the book you should maybe postpone going to college. My guess is that it will be read by parents more than students, but especially parents whose experience of college is 5 years or less (or none) would do well to read it to guide their offspring. But even those of us who know the college world well will only give at most half these tips to their kids, partly because some won't occur to us, and partly because others ("don't address a professor with "hey" in your first email to them) seem blindingly obvious. Apparently not.

I should probably disclose that the author sent me the manuscript completely out of the blue a couple of years ago (I've never met him) and I almost instantly gave him a good number of comments on it (as he acknowledges in the acknowledgments). There's one thing that I now regret: the phrases "rape" or "sexual assault" don't appear in the index, and if I were giving comments now I would press him hard to discuss sexual violence on campus. But I was much less aware of the issue then than I thankfully am now.

By the way, the student in question did reply, almost immediately. She said "Dear Professor Brighouse, thanks for the tip, I will utilise it in future. Hopefully I'll be able to learn more from you in your class" which showed a willingness to learn and a slight cheekiness that I rather appreciated. Maybe I should give her the book. I have been very close to only a few undergraduates in my career, though I try harder these days (and my increasingly elderly demeanor seems to induce trust). I forwarded the exchange (stripped of the name etc) to a current undergraduate who is one of the handful whom I've known, and has known me, best (very well indeed), knowing she'd laugh, because after 4 years and numerous detailed email and personal conversations she simply can't address, or even refer to, me as anything other than Professor Brighouse.

Discussion at [...]

14 of 14 people found the following review helpful.
Good for some, not so good for others
By Anita L
I attend a liberal arts college, so many of the tips to take classes across a broad range of subjects, to take classes outside your comfort zone, etc. are already well-known to me. I skipped about a quarter of the book because of this, but I enjoy the love-of-learning message espoused by a large chunk of the book. The lukewarm rating reflects my feeling that this could help students not exposed to the same ideals, but also my frustration with the simplicity and vagueness of many of the tips in The Thinking Student's Guide to College.

There are some good ideas in this book. I particularly liked the tip about ways to think critically, in which Roberts describes four questions to ask whenever you encounter an argument in the reading:
(1. Ask whether there are other possible explanations of the phenomenon in question that the author has not considered,
2. Ask whether things could actually be working in the opposite direction.
3. Consider how the author has chosen his or her evidence. (what data she has, what sources she has consulted, has she considered all possible evidence?)
4. Ask how the explanation works.
5. Consider the assumptions behind the argument.)

Roberts doesn't fail to mention the importance of sleep and diet, and even quotes Michael Pollan's "Eat food. Mostly plants" so he gets major points for that.

The best, most original and useful section was Learning Outside the Classroom. I found two gems here, one being his tip to read academic blogs (he lists several) and to subscribe to an intellectual magazine.

In all, the gems were few. Personally speaking, I found much of his advice to be trite, if not common sense. For instance: Tip 61- Ask for recommendations from professors who know you well.. Tip 67- Make friends with people who have different beliefs and experiences. This is the same message we all get at convocation, as well as practically every other speech given by an administrator- which just goes to show how important it is for college students to do so, but to hear it again without any inspiring ideas on how to go about doing so is not too helpful. Another tip was to "learn about the career graduate school is leading to." Again, this seems obvious. It is an excellent point, and perhaps many send off applications for grad school without considering whether they really* want to be a lawyer/professor/etc. but I was turned off by how utterly unconvincing Roberts was, in both highlighting the fact that people don't often know enough and in making the point that's important to know what you're in for - a 5-year commitment. Many tips were too vague to be useful, but the second way in which this book didn't work for me is that it was almost as if Roberts wasn't sure if the tip was good-- He wasn't so good at selling his ideas, but this is truly a type of "self-help" (if in a broader sense than "7 Habits of Effective People) and self-help doesn't work so well if the reader isn't motivated by your ideas and your voice.

If your college student is fairly mature, most of the material in this will be common sense. If your student needs a lot of hand-holding (no judgement here-- the idea of having to manage one's own time and having positive interactions with adults is new to many high-schoolers) this might be helpful. A nice thing about this is that covers a lot of territory, so even though it offers few concrete strategies, it might benefit students who might not have thought of the general ideas on their own (ex. visit your professor during office hours, pick professors who know you well to write your letters of recommendation). I recommend that the student him/herself preview some pages in advance of buying and decide whether or not this would be helpful to them.

6 of 6 people found the following review helpful.
A worthwhile read...
By Nicole Amos
This book has some helpful advice for students going into undergraduate programs on being successful in school, including helpful information about progressing to graduate school. So, if you are an undergrad student or soon to be undergrad student with the goal of going to graduate school at some point, this book has information you can use to make the most of your undergrad experience with the intent of putting you in a good position come graduate school application time.

If you are already a graduate student and are wondering if this book can help you, it really depends on the program that you are in. While most doctorate programs, by their nature, require involvement and personal interaction with faculty, many master's degree programs do not. This book has some useful tips on how to connect more with your professors and get the most out of your time with them.

I will admit that in the earlier chapters some of it seemed repetitive. The author reiterates a bit too often that how much a student gets out of college is dependent more on the student than the school. Despite the repetitiveness, some of the supporting evidence is very interesting. One of the most interesting pieces was on the U.S. News Ratings that are released each year. The author provides information showing that college rating systems are not very objective or reliable. I found most of the book interesting and the advice useful. However, I don't agree with the author on his tip "Don't Worry Too Much about the Job Prospects of the Major" though. While I agree that most companies expect to train you how to do the job, where I disagree is the suggestion that you should disregard the meaningfulness of a major entirely. When you are competing against dozens of other recent college grads for a level position in a tight job market, relevant coursework that taught you some basics that would be important in the position might be the thing that pushes you to the top of the pile.

Chapter 8 is dedicated to the topic of going to graduate school. There are definitely things that I read in this book that I wish I had thought of before getting my MBA and that I will take into account as I consider pursuing a doctorate. The author offers practical advice and specific tips and steps to take.

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